What is the best area of rejection for a Super-Cardioid microphone?

The best area of rejection for a Super-Cardioid microphone is typically around 120 degrees. This type of microphone is designed to pick up sound primarily from the front, usually at around 90 degrees, while effectively rejecting sound from the sides and rear. However, Super-Cardioids have a narrower pickup pattern than cardioid microphones, which allows them to be highly focused on the sound source in front of them, while still providing good rejection of off-axis sounds.

The area of rejection encompasses sound coming from the sides and back; thus, 120 degrees effectively represents the range in which the microphone is less sensitive to incoming sound, helping to reduce feedback and unwanted noise. This characteristic makes Super-Cardioid microphones ideal for performances and recording situations where isolation from background noise is critical, such as live concerts or studio sessions.

Understanding the polar pattern of different microphones is essential for audio professionals when choosing the right equipment to fit the specific needs of a performance or recording environment.